From the 1930’s to the early ’60s, Honky Tonk music in Texas, to a large degree, resembled Western Swing in its harmonies, rhythm and instrumentation. A man and an instrument collided in the mid-’30s to create a sound that would influence Country and Western Music for decades to come. The man was Bob Dunn and the instrument was an early prototype of the “steel guitar”. That is to say, he wanted to incorporate an electrified Hawaiian guitar into the Western music he was playing. Leon McAuliffe of Bob Wills and the Texas Playboys made this concept famous with the “Steel Guitar Rag” in 1936. Suddenly, there were hundreds of innovators and imitators of this style and one of the folks who came along in the aftermath of that musical Big Bang was Ken Lasater.
Bob Dunn was making his name with Milton Brown and His Musical Brownies in the 1930s when Ken first heard him.
First page tease from biography in “Lake Cities Legacy” which we have at the Emily Fowler Library:
Ken worked with many bands over the years and finally settled in Lake Dallas. The work linked above is from 1986 and likely one of the dozens of Texas Sesquicentennial commemorative publications available at that time. Here are a couple links that go into more detail:
Written by Chuck Voellinger, Special Collections Librarian, Emily Fowler Library